In Ostrovsky's book "The Thunderstorm" each hero has his own qualities. The author described all types of people who could live during the dark kingdom. In those days, deception, impotence, immaturity and cruelty flourished.
One of the key characters of the work is Varvara. Varvara was the daughter of Marfa Kabanova and at the same time the sister of Tikhon. From the first lines of the poem you can understand that brother and sister are very different. Varvara had a lively character. She was not satisfied with the laws of the Kabanov house. The girl began to adapt to such a life.
To survive, the heroine learned to deceive, be a hypocrite and be resourceful. Unlike her brother, she was strong, but did not openly express her dissatisfaction. She loved her own life and did not take any risks. Varvara dealt with her mother’s prohibitions and restrictions in her own ways. In response to the ban not to leave the house, the girl changed the lock and often went for a walk at night.
In Martha’s house, only Varvara tried to support Katerina, Tikhon’s wife. The girl shows pity for Katya and gives advice. Varvara is sorry that strong Katerina married the drunkard Tikhon. Varvara tried to somehow improve Katerina’s life. At the same time, the girl had to achieve her goal by lying. Her intelligence and insight help the girl to identify the incorrectness of the rules and laws in the house. Varvara noticed that Katya was passionate about another man. To please Katya, Varvara arranged a date for her with Boris. The girl sincerely worries about Katya and Boris. She decided to meet with Boris and talk about Katya’s well-being.
The author did not give a complete description of Varvara. Although her image emerges from her actions. The girl looks like a cat who loves to walk. At the same time, others think that she obeys established laws. She walked with whomever she wanted and greatly valued her freedom. She liked to have fun, walk, sing songs, especially break her mother's rules. Due to her morality, Varvara did not condemn Katya and tried to dissuade her from admitting to treason. She was afraid of her mother's anger towards Katerina.
At the end of the work, Varvara manages to escape from the house with Kudryash. Marfa Kabanova learned about her escape from Tikhon. By escaping, Varvara protested her mother’s cruelty and rules. Despite her youth, Varvara gained some experience in her home and learned to survive among deceivers, scammers and greedy people. Having run away with Kudryash, the girl decided to start a new life.
Essay about Varvara
In Ostrovsky's play "The Thunderstorm", in addition to the main characters, the reader meets the girl Varvara, the daughter of Marfa Ignatievna and the sister-in-law of Katerina. Varvara is a young girl who, succumbing to the influence of her mother, becomes resourceful and cunning.
Varvara is a beautiful and smart girl, she loves it when everyone notices this. She is cunning and tries to gain personal benefit from every thought she makes. She, without being embarrassed by anyone, can answer any questions and comments. She also secretly meets with Kudryash, who serves the merchant Dikiy.
Varvara really wants to change her life, but she doesn’t want to openly conflict with her mother, so she goes on dates, coming up with all sorts of excuses. She understands that living in such an environment and with such a mother, she will not be able to achieve anything in her life. She understands that she is violating family principles, but this does not stop her.
Varya is very young and wants to enjoy life. And although, if they found out about her adventures, she would be sent to a monastery, because she is an unmarried girl, Varya is not ashamed of her entertainment. Therefore, she also draws Katerina, her brother’s wife, into secret meetings, knowing full well that her weak and weak-willed brother Tikhon, who fell under the influence of their mother, will not be able to help his wife in anything. Varya thinks that her and Katerina’s secret will never be revealed.
Varvara is very cautious and cynical. She has a great understanding of people and, despite her young age, sees the nature of the people around her and understands when they are lying. She tries to save Katerina from remorse, but she fails, therefore, after Katerina dies, Varya runs away from the city with Kudryash, feeling that she is to blame for the death of the girl and foreboding that she could suffer the same fate under pressure from the environment, because she sees that everyone around her is doing nothing but pretending and lying to each other.
What happened to Varvara next is unknown, but it is clear that she would not have been able to live normally in the city of Kalinov. Although her beloved Kudryash is not the best choice for her, and she met him rather out of despair. But Varya is a strong girl and she will be able to challenge the world around her.
Sample 3
Ostrovsky's play "The Thunderstorm" is very versatile, due to the fact that it describes different types of people and their behavior. These were the times of the dark kingdom, as in other things, deception, powerlessness and cruelty were always present.
One of the main characters is Varvara. Varvara is from the Kabanov family, mother Marfa Kabanova and brother Tikhon. From the very beginning of the work we observe a strong difference between Tikhon and Varvara. Unlike Tikhon, Varvara had a more persistent and fighting character. The laws that lived in their family did not completely suit Varvara. She had to adjust and adapt to life with her family.
Her adaptability was expressed by the fact that she learned to be a hypocrite, deceive and dodge in various situations. As mentioned earlier, Tikhon and Varvara were very different. She was a strong-willed girl, unlike her brother. She didn’t consider it necessary to show her dissatisfaction to others. Her life was important to herself, and she was afraid to take any risks, she valued her own life. She had her own different ways to cope with her mother's prohibitions. Once, when her mother banned her daughter from leaving the house, Varvara changed the lock and went out for night walks in secret from her mother.
Varvara's brother, Tikhon, had a wife, Katerina. Varvara was the only one in the Kabanov house who supported Katerina. The girl’s heart took pity on Katerina, and she tried to help her with all kinds of advice. Tikhon is a drunkard, and Ekaterina is a strong woman. Varvara believes that Katerina broke her fate by marrying such an irresponsible man. It is for this reason that Varvara is trying to brighten up Katerina’s life. Varvara has to achieve her goal through lies and lies. Thanks to her intelligence, the girl understood the incorrectness and stupidity of the laws that reigned in the Kabanovs’ house. Varvara, with the help of her powers of observation, notices Katerina’s love for another man. In order to please the girl, Varvara decides to triple Katerina’s date with Boris.
The image of Varvara is not fully developed, although we can learn a lot about her from her behavior and actions. Opinions about Varvara vary. She values her freedom very much, she does not obey anyone and does what she wants. She lived freely, walked, frolicked, sang songs, walked contrary to her mother’s laws. Varvara did not see anything wrong with Katya’s feelings for another person, and was on her side. When Katerina wanted to admit to treason, Varvara tried in every possible way to dissuade her. She was afraid of her mother's wrath.
At the end of the work, the girl runs away from her home with Kudryash and decides to start a new life. Varvara’s mother learns about the escape from Tikhon. During all the time she lived in the Kabanovs’ house, Varvara gained a lot of experience.
The concept of the “Turgenev girl” became known from the moment the writer published his work, in which the image of the girl was revealed from the point of view of her inner world.
Prince Tugoukhovsky is given a secondary role in Griboyedov’s comedy entitled “Woe from Wit.” He is one of the first to arrive at the ball, which was held in the Famusovs’ house.
Anton Pavlovich raises a lot of topics that are relevant at all times. One of which is dream and reality. The story entitled “Ionych” reveals this topic in detail. Shows what thoughts, desires and possibilities were
Varvara is the daughter of Kabanikha and the sister of Tikhon. She is confident in herself, is not afraid of mystical omens, and knows what she wants from life. But at the same time, Varvara’s personality has some moral flaws, the cause of which is life in the Kabanov family. She does not at all like the cruel order of this provincial town, but Varvara does not find anything better than to come to terms with the established way of life.It is no coincidence that all of Varvara’s remarks are written under the remark “to the side.”
She has a fairly strong character and knows how to achieve her goal. But she always chooses the simplest and most convenient path, adapting to the behavior of the people around her. Therefore, its main principle is “Do what you want, as long as it’s safe and covered.” Perhaps, if she had grown up among kind, honest and fair people, then Varvara would have been able to decide on open confrontation. But deception has become so commonplace for Varvara that she is not embarrassed to admit that it is impossible to live any other way, and everything in their home is based on deception. “And I was not a liar, but I learned when it became necessary.” But if you cannot rebel against this world of lies, then you can only escape from it. Varvara dodged and cheated to the last.
In Ostrovsky's work "The Thunderstorm" each character is interesting and significant in its own way. The playwright managed to show all the types that can live in the depicted “dark kingdom”: tyrants, dreamer heroes, powerless deceivers, determined heroines, and infantile drunkards. From this point of view, it is interesting to learn about the characterization of Varvara from the play “The Thunderstorm”.
Varvara Kabanova is the sister of Tikhon Kabanov and the daughter of Marfa Ignatievna. From the first pages it becomes clear how different the brother and sister are. We can say that they are almost opposite: the lively Varvara and the uninitiative Tikhon. But neither one nor the other is satisfied with the rules and laws by which they have to live. Tikhon finds solace in drinking, Varvara adapts differently. Surprisingly, Varvara in the play “The Thunderstorm” is the only character who has adapted. He adapted, and did not resign himself, like Kuligin.
Varvara learned to lie, to be a hypocrite, she learned to be resourceful and, in a sense, to ignore. Her character is much stronger than Tikhon’s, but Varvara does not need an open protest against patriarchal foundations. She has no need to throw herself into the river to show the desperate depth of the bottom to which people have sunk themselves. Varvara loves life too much to risk it like that. She is practical, and that is precisely what makes her attractive. How bravely the girl copes with her mother’s prohibitions to limit her space!
Quietly, without hysterics or lengthy thoughts, Varvara simply changes the lock so that she can easily go to meetings with the help of her key. At the same time, as they say, both the wolves are fed and the sheep are safe.
In addition, in the Kabanov family, only Varvara supports Katerina, listens to her, and gives advice. The girl likes Katya, she is sincerely sorry that such a pure and strong Katerina got a weak-willed, drinking husband. Varvara is trying to make Katya’s existence a little easier in Kabanikha’s house. Unfortunately, the only way to achieve this is to lie. “And I was not a liar, but I learned when it became necessary.” Varvara, although in a whisper, still gives caustic comments about Kabanikha’s hysterics. She is smart and insightful enough to understand the incorrectness and unsuitability of existing laws. Varvare notices changes in Katya’s mood, confidently saying that she is yearning for some man. Varvara looks at things realistically. This is proven by one of the first dialogues with Katerina: in response to the remark that Katya dreams of walking and riding along the Volga with someone, Varvara accurately remarks: “but not with her husband.”
The girl helps arrange a date between Katerina and Boris, although neither of them asked her to do so. She sees how both are tormented by unexpressed feelings, and decides to help, absolutely selflessly. She worries about the lovers, meets with Boris, informing him about Katya’s condition.
Although the author does not give a complete description of Varvara, the image of heroin clearly emerges in the readers’ imagination. The girl is somewhat similar to a cat who walks on her own, but allows others to think that they have some kind of power over her. If he wants, he walks with Vanya Kudryash, if he wants, he walks with someone else. She enjoys freedom as much as possible. Varvara likes to live, sing songs, run away from her mother, and be happy. The attitude “do what you want, the main thing is that no one finds out anything” is implemented in “The Thunderstorm” in the image of Varvara. The girl happily walks with Kudryash, so she does not at all condemn Katerina’s behavior. Varvara is trying in every possible way to dissuade Katya from admitting to treason. In this, the girl’s behavior is similar to Boris’s behavior. He also doesn’t want anyone to find out about his secret meetings with Katya. But Boris wants this for his own sake, and Varvara wants it for Katerina’s sake.
At the end of the play, the reader learns that Varvara runs away from her mother’s house with Kudryash. Tikhon reports this: “Mama sharpened and sharpened Varvara; but she couldn’t stand it, and that’s what she was like - she just took it and left.” “They say she ran away with Kudryash and Vanka, and they won’t find him anywhere either. This, Kuligin, I must say straight out, is from my mother; That’s why she began to tyrannize her and lock her up. “Don’t lock it, he says, it will get worse!” That’s how it happened.”
With this act, the girl expressed her protest and unwillingness to put up with Marfa Ignatievna’s manipulations and cruelty. As soon as the girl stopped putting up with the situation in the house, she ran away. Varvara is her own boss, despite her age, she seems experienced and knowledgeable about life. She understands people better, herself, and her desires are quite understandable. Running away with Kudryash is by no means an impulsive decision, which was conceived only in order to show how bad Kabanikha is. This is not a jump into the Volga, but the beginning of a new stage in Varvara’s life. You can make a lot of guesses about how her fate will develop further: whether she will be with Kudryash or leave him, whether she will end up in Moscow or somewhere else, but at the same time there is a strong feeling that everything will be fine with Varvara, because she can find a way out of any situation. And if the situation does not suit her, the girl will change it.
It is impossible to imagine that Varvara could later become like her mother. Yes, the girl lies and gives the impression of being decent and obedient, but Varvara values freedom too much to drive herself into the framework of hypocrisy and tyranny. In addition, she sees what unjustified cruelty and a pathological desire to control everything can lead to.
Work test
In Ostrovsky's work "The Thunderstorm" each character is interesting and significant in its own way. The playwright managed to show all the types that can live in the depicted “dark kingdom”: tyrants, dreamer heroes, powerless deceivers, determined heroines, and infantile drunkards. From this point of view, it is interesting to learn about the characterization of Varvara from the play “The Thunderstorm”.
Varvara Kabanova is the sister of Tikhon Kabanov and the daughter of Marfa Ignatievna. From the first pages it becomes clear how different the brother and sister are. We can say that they are practically
Opposites: the lively Varvara and the uninitiative Tikhon. But neither one nor the other is satisfied with the rules and laws by which they have to live. Tikhon finds solace in drinking, Varvara adapts differently. Surprisingly, Varvara in the play “The Thunderstorm” is the only character who has adapted. He adapted, and did not resign himself, like Kuligin.
Varvara learned to lie, to be a hypocrite, she learned to be resourceful and, in a sense, to ignore. Her character is much stronger than Tikhon’s, but Varvara does not need an open protest against patriarchal foundations. She has no need to throw herself into the river,
To show the desperate depth of the bottom to which people have sunk themselves. Varvara loves life too much to risk it like that. She is practical, and that is precisely what makes her attractive. How bravely the girl copes with her mother’s prohibitions to limit her space! Quietly, without hysterics or lengthy thoughts, Varvara simply changes the lock so that she can easily go to meetings with the help of her key. At the same time, as they say, both the wolves are fed and the sheep are safe.
In addition, in the Kabanov family, only Varvara supports Katerina, listens to her, and gives advice. The girl likes Katya, she is sincerely sorry that such a pure and strong Katerina got a weak-willed, drinking husband. Varvara is trying to make Katya’s existence a little easier in Kabanikha’s house. Unfortunately, the only way to achieve this is to lie. “And I was not a liar, but I learned when it became necessary.” Varvara, although in a whisper, still gives caustic comments about Kabanikha’s hysterics. She is smart and insightful enough to understand the incorrectness and unsuitability of existing laws. Varvare notices changes in Katya’s mood, confidently saying that she is yearning for some man. Varvara looks at things realistically. This is proven by one of the first dialogues with Katerina: in response to the remark that Katya dreams of walking and riding along the Volga with someone, Varvara accurately remarks: “but not with her husband.”
The girl helps arrange a date between Katerina and Boris, although neither of them asked her to do so. She sees how both are tormented by unexpressed feelings, and decides to help, absolutely selflessly. She worries about the lovers, meets with Boris, informing him about Katya’s condition.
Although the author does not give a complete description of Varvara, the image of heroin clearly emerges in the readers’ imagination. The girl is somewhat similar to a cat who walks on her own, but allows others to think that they have some kind of power over her. If he wants, he walks with Vanya Kudryash, if he wants, he walks with someone else. She enjoys freedom as much as possible. Varvara likes to live, sing songs, run away from her mother, and be happy. The attitude “do what you want, the main thing is that no one finds out anything” is implemented in “The Thunderstorm” in the image of Varvara. The girl happily walks with Kudryash, so she does not at all condemn Katerina’s behavior. Varvara is trying in every possible way to dissuade Katya from admitting to treason. In this, the girl’s behavior is similar to Boris’s behavior. He also doesn’t want anyone to find out about his secret meetings with Katya. But Boris wants this for his own sake, and Varvara for Katerina’s sake.
At the end of the play, the reader learns that Varvara runs away from her mother’s house with Kudryash. Tikhon reports this: “Mama sharpened and sharpened Varvara; but she couldn’t stand it, and that’s what she was like - she just took it and left.” “They say she ran away with Kudryash and Vanka, and they won’t find him anywhere either. This, Kuligin, I must say straight out, is from my mother; so she began to tyrannize her and lock her up. “Don’t lock it, he says, it will get worse!” That’s how it happened.”
With this act, the girl expressed her protest and unwillingness to put up with Marfa Ignatievna’s manipulations and cruelty. As soon as the girl stopped putting up with the situation in the house, she ran away. Varvara is her own boss, despite her age, she seems experienced and knowledgeable about life. She understands people better, herself, and her desires are quite understandable. Running away with Kudryash is by no means an impulsive decision, which was conceived only in order to show how bad Kabanikha is. This is not a jump into the Volga, but the beginning of a new stage in Varvara’s life. You can make a lot of guesses about how her fate will develop further: whether she will be with Kudryash or leave him, whether she will end up in Moscow or somewhere else, but at the same time there is a strong feeling that everything will be fine with Varvara, because she can find a way out of any situation. And if the situation does not suit her, the girl will change it.
It is impossible to imagine that Varvara could later become like her mother. Yes, the girl lies and gives the impression of being decent and obedient, but Varvara values freedom too much to drive herself into the framework of hypocrisy and tyranny. In addition, she sees what unjustified cruelty and a pathological desire to control everything can lead to.
- ACT ONE A public garden on the high bank of the Volga, a rural view beyond the Volga. There are two benches and several bushes on the stage. SCENE ONE Kuligin is sitting on a bench...
- Varvara Kabanova, a character in Ostrovsky's drama "The Thunderstorm", upon close reading, arouses significant interest of the reader. This girl shows character, and her character is quite strong. Let her...
- In "The Thunderstorm" Varvara and Katerina are two truly female characters. These two girls embody two different approaches to life, to the world, to rules...
- Ostrovsky's play "The Thunderstorm" was written in 1859. The writer came up with the idea for the work in the middle of summer, and on October 9, 1859, the work was already completed....
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- A. N. Ostrovsky’s drama “The Thunderstorm” is an outstanding work of Russian literature, which remains modern to this day, as it poses many problems, first of all...
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- The events take place in the first half of the 19th century, in the fictional Volga town of Kalinov. The first action takes place in a public garden on the high bank of the Volga. Local self-taught mechanic Kuligin...
- A. N. Ostrovsky The Thunderstorm Events take place in the first half of the 19th century, in the fictional Volga town of Kalinov. The first action is in a public garden on a high bank...
- Ostrovsky in his work more than once turned to the theme of patriarchal merchants. His most striking work on this topic is the drama “The Thunderstorm,” written in 1859...
The play "The Thunderstorm" appears. It contains unforgettable female characters - the formidable Kabanikha, the sincere Katerina, the cunning Varvara. All these characters deserve special attention, because each of them is unique in their own way. But in this article we will talk about the least studied of them - the Barbarian.
Varvara and Katerina
Varvara (“The Thunderstorm”), whose characteristics will be outlined below, does not occupy a leading position in the system of images of the play. However, this character also plays a significant role in the work. In “The Thunderstorm,” her image constantly sets off the sincerity and spiritual beauty of the other main character. After all, Varvara in this play is easiest to compare with Katerina. Both girls live in the same house and, apparently, are the same age. They spend a lot of time together, and it is with Varvara that Katerina shares her memories and emotional experiences. There is something sincere and alive in both girls. However, Varvara looks at life sensibly. “I’m worse than you,” she frankly declares to Katerina. The girl does not delude herself at all, and this speaks of her sharp mind and sober self-esteem. But why is she worse than the main character?
Varvara in love
Varvara (“The Thunderstorm”), whose characterization deserves special attention, is, like Katerina, in love. However, even towards the object of her feelings - Curly - she reveals some indifference. There is no fiery passion in her, and this is clearly evident in the scene of her date with her lover. Instead of the deep emotional experiences characteristic of Katerina, Varvara demonstrates coldness and indifference. However, her lover also does not suffer from heartache. Ostrovsky points out this more than once in his remarks: “Varvara is adjacent to the shoulder of Curly, who is quietly playing.” During conversations with her beloved, Varvara constantly yawns. Everything in her relationship with Kudryash seems familiar and ordinary to her. But maybe this is feigned indifference, and the girl is simply hiding her true feelings?
The heroine's life philosophy
The fact is that Varvara (“The Thunderstorm”), whose characterization is of great importance for revealing the main idea of the work, has a different type of consciousness than Katerina. She obediently accepts the conditions of her life and passively adapts to them. The girl does not like unnecessary conversations, and all her thoughts are focused on the level of everyday problems, everyday relationships and the rules accepted in her environment. The image of Varvara (“The Thunderstorm”) is the personification of a person who does not need creative insight and love pains. The girl even finds all these irrational emotional impulses funny. “Some kind of wise one,” she says about Katerina and does not understand her at all. Her everyday consciousness is guided by common sense, and she considers the dreaminess of the main character to be a kind of weakness. Even if Varvara had wings, she would hardly have used them without a good reason. “Having her head in the clouds” is absolutely not typical for her. Therefore, love for her is just an everyday duty, colored by seductive adventurism.
Relationship with mother
Kabanova Varvara in the play “The Thunderstorm” is Tikhon’s sister and Kabanikha’s daughter. In principle, she can also be called a victim of the “dark kingdom”, because being raised in the house of an overbearing mother completely crippled her morally. Internally, Varvara is alien to the patriarchal laws that have been imposed on her since childhood, but life has taught her to hide her true feelings. The girl has a strong character, and she could openly defend her beliefs, but she does not want to do this. It is much easier for her to exist according to the principle: do as you want, but so that no one knows about it. Probably, the upbringing of the despotic Kabanikha could not have led to a different result. Smart and cunning Varvara knows how to adapt to generally accepted orders: she easily deceives, masterfully pretends and, in the end, does everything her own way. Her mother's hypocritical behavior taught her that there was no other way to live. Everyone lies, so why should she be sincere? Only when the girl was put under house arrest did she decide to run away from home. In doing so, she dealt a crushing blow to her mother.
The uniqueness of the heroine
Varvara (“The Thunderstorm”), whose characteristics cannot be unambiguous, is unique in its own way. She is far from stupid, witty, has a strong character and evokes a certain sympathy among readers. For example, unlike the tremulous Katerina, she is not at all afraid of thunderstorms. In addition, she does not at all consider it obligatory to observe the patriarchal customs accepted in her environment. Despite her upbringing, she perfectly knows how to distinguish good from bad, and sympathizes with Katerina. But he doesn’t want to share her tragic fate at all. Varvara has one hope - to find a suitable husband and escape from the captivity of the “dark kingdom”. She leaves home when she realizes that her plans may fail. This girl, without a doubt, is a type capable of independent thinking and making decisions.
Now you know that not only Katerina can arouse interest in the play “The Thunderstorm” (Ostrovsky). Varvara is an equally bright character, who, however, is constantly in the shadow of the main character. But her image embodies the emergence of a new type of Russian woman - free from the dark prejudices of antiquity and capable of defending her own independence.
